Today Mr. Leonar Mardirosian is here to tell us the golden points about creativity in music. He is a successful music artist

5 effective ways to be more creative in the studio

1- Every person’s working hours are different.

Many people are serious, focused, and disciplined at work; If at other times they are not just like that and our work personality is a part of our being that can have its own characteristics. Some are more active at night, some find the morning better, and some at work do not remember at all what part of the day they are and even blind the windows. Find your working time. When do you usually have the most energy for music during the day? I usually do the mixing and editing myself in the morning, but to create the effect as well as play the instruments, I work better at night and find silence and a sense of silence that benefits my style and mood.

Also, changing working hours can be a way to break the stagnation and monotony. If you always sit in the middle of the night listening to music, try an hour in the morning this time. Light, extra noise, hunger, or drowsiness all affect a person’s idea unless you also believe that all ideas come from another world.

2- Deadline, your best friend!

In the Home Studio recording guide, we talked about the importance of proper rest, having a deadline, and all the easier recording and tuning shortcuts. The first point is to limit the time you spend in the studio. For example, set different tones to leave and return with your mobile phone. Get out of the studio every hour at most, freshen up, and let your mind wander off the subject and subconsciously review it.

Also, set deadlines for lines when working. Because there is a swamp called Undo / Re-RECORD in the host software that makes it possible to constantly clear good ideas in the greed for better ideas. When legendary songs were recorded without these options, the musician would play them once or twice, preventing the song from being mechanized. Do things that motivate you to work hard.

3. Spend part of your work time “playing aimlessly”.

Planning for work is a great habit. But art and planning are not always at peace with each other. Pick up your guitar, piano, midi and play for your heart aimlessly. Do not be afraid to spoil and play the flash. Try to discover new things. One who always strives to make the best effect almost always fails. Do something ordinary, but put your hand on the frets and keys that you do not usually touch. Let something new be created, not to be the best thing, to open new windows on your instrument. Slip and explore like an adventurer on an unknown path.

4. Listen to half-finished songs outdoors.

We know how much images can affect our experience of music. Sometimes it is necessary to take the idea of ​​a semi-finished song with you out of the workplace to create new inspirations and ideas. Listen to it on the street, in your car, or your favorite places. It both helps you write the lyrics and allows you to think outside the box about your instrument. Also, sometimes listen to ideas stored in the Voice Recording section of your mobile phone outside the studio. Note that getting used to the demo of the song is a bad thing. So do it very limited, because you may not be able to replace it with something better by getting used to a part-time or unsuitable line.

5. Part of the work is the responsibility of the subconscious.

The human brain is complex. Our conscious experience of the complexity of the brain is a piece of wood on the ocean. You may have noticed that our musical ideas are busy in our minds for hours after work. Our brain is automatically working on it to find the best possible code. Proper sleep also allows the brain to process irregular information during the day. So be a little patient; Do not think about creativity; Do not think of not being able to; Let things happen naturally. By creating a deadline, you create a positive fear in the brain. When I know I have little time, I try to focus my energy on the main task. For more on this topic, books like Susan Blackmore’s Consciousness and John Medina’s The Laws of the Brain are a good place to start.